kissed it, and left the room without her hearing him or changing her attitude. And on this silent parting the curtain fell.
It was always for the sake of that particular scene that Newland Archer went to see \"The Shaughraun.\" He thought the adieux of Montague and Ada Dyas as fine as anything he had ever seen Croisette and Bressant do in Paris, or Madge Robertson and Kendal in London; in its reticence, its dumb sorrow, it moved
kissed it, and left the room without her hearing him or changing her attitude. And on this silent parting the curtain fell.
It was always for the sake of that particular scene that Newland Archer went to see \"The Shaughraun.\" He thought the adieux of Montague and Ada Dyas as fine as anything he had ever seen Croisette and Bressant do in Paris, or Madge Robertson and Kendal in London; in its reticence, its dumb sorrow, it moved
