72 THATAS or scales. The musician has a creative scope for endless improvisation around the fixed traditional melody or RAGA; he concentrates on the sentiment or definitive mood of the structural theme and then embroiders it to the limits of his own originality. The Hindu musician does not read set notes; he clothes anew at each playing the bare skeleton of the RAGA, often confining himself to a single melodic sequence,
72 THATAS or scales. The musician has a creative scope for endless improvisation around the fixed traditional melody or RAGA; he concentrates on the sentiment or definitive mood of the structural theme and then embroiders it to the limits of his own originality. The Hindu musician does not read set notes; he clothes anew at each playing the bare skeleton of the RAGA, often confining himself to a single melodic sequence,
